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ART HISTORY: A CRITICAL INTRODUCTION TO ITS METHODS

MICHAEL HATT · Jan 1, 2006 · 264 pages · eng

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The authors use the different theories in art history and apply them to Picasso's 'Les Demoiselles d'Avignon'. They also offer a lucid account of approaches from Hegel to postcolonialism by explaining the philosophical and political assumptions behind each approach, using clear examples.